Julian Marley + Blue King Brown + The Strides – Metro Theatre, Sydney (10.05.13)

Julian Marley at Metro Theatre Sydney. Photo credits: Jackie TeAroha for Mosca Media.

Julian Marley at Metro Theatre Sydney. Photo credits: Jackie TeAroha for Mosca Media.

The Metro Theatre is one of Sydney’s leading venues hosting an array of notable and emerging local and international artists across a wide variety of musical genres and more. But once you step foot into the venue, categories and stereotypes are no longer existent. People begin to embrace the music and one another. This was evident on Friday night at Julian Marley’s Sydney show (son of reggae legend Bob Marley). The Metro presented with a diverse range of individuals from the youthful to the old timers, cultures, from all walks of life and there was such a great sense of unison. After all, that is the essence of reggae music – ‘One Love’.

I must mention that the lady who stood next to me at the front row told me ‘this is the first time I’ve ever heard reggae music, I got dragged along to this show and I’m fucking loving it!’. Music is powerful, but reggae music can change your mentality!

Upon arrival, Sydney based 10 piece roots-reggae band The Strides took to stage with songs from their album Reclamation. Still rocking out since we last saw them perform almost two years ago at Notes Live in Newtown.

After The Strides it seemed like a prolonged set up time for Blue King Brown, however, it was well worth the wait. The audience was greeted by the ladies of Melbourne-based reggae-roots band Blue King Brown, with an acoustic set featuring lead singer Natalie Pa’apa’a and vocalists representing West Papua. With only three vocalists I predicted that this would be an intimate and engaging experience, and we were immersed in the rhythm of the music as well as the message that they wanted to share. Natalie illustrated a song about a couple that were separated due to the hindrance of bureaucratic red tape, however they were reunited again. At the end of BKB’s set I was left with a resonating message “Free West Papua” which was clearly stated on Natalie’s acoustic kickbox.

The crowd was anticipating Julian Marley and as he entered the stage, it was apparent that his father’s spirit continues to live on. Marley shared his Rastafarian faith, knowledge, music and of course his father’s life and spirit. There was a sense of nostalgia growing up to the Marley’s voices in my cassette player. No doubt Marley is acknowledged as an individual artist, but he is also an inclusive collaborator with his 12-piece Uprising Band, performing some original tunes as well as father Bob’s hits. Some memorable songs were ‘Boom Draw’, ‘Babylon Cookie Jar’ and Bob Marley’s ‘Kaya’.

It was refreshing to join some of the country’s most thriving reggae bands alongside Julian Marley, and no doubt they were aptly chosen to support him. With a combination of ‘Worldwize’ humanitarian reggae-roots acts, it became an insightful and memorable show. Although I could see that a larger venue could have easily accommodated a larger crowd.

Rating: 9/10

Click here to check out our photographs from Julian Marley’s Sydney show!

Tegan and Sara – The Boulevard Pool, Cosmopolitan Hotel and Casino Las Vegas 11.04.13

Tegan & Sara - The Cosmopoltan of Las Vegas. Photo credits: RD/ Kabik/ Retna Digital

Tegan & Sara – The Cosmopoltan of Las Vegas. Photo credits: RD/ Kabik/ Retna Digital

Set upon the rooftop of the Boulevard Pool bar at the Cosmopolitan Casino on the Las Vegas Strip, Canadian twin sisters Tegan & Sara played a preview show before their Coachella appearance in a few days time. The setting was perfect. The Las Vegas skyline surrounding the open air stage. A large screen behind the stage projecting the gig out onto the Vegas strip and a cool, clear spring evening contributed to one of my favourite Tegan & Sara shows ever.

The humble twins repeatedly thanked the crowd for coming out and for supporting their music. In return we got a great set by the duo mixing crowd favourites such as ‘Walking With A Ghost’, ‘Back In Your Head’ and ‘Where Does The Good Go’ along with a fair chunk off this years record Heartthrob. The newer songs received an amazing reception as fans have taken to the new record and more keyboard driven sound.

For me the highlight was the brilliant ‘Why Don’t You Want Me’. The song is great track about rejection from a lover and is written so perfectly. The girls have a great knack to write a good “love lost” tune and this one is probably their best. Live, it sounded amazing and judging by the crowd singing along, it will find a place on their set list for years to come.

Other tracks off Heartthrob like the albums opening ‘Closer’ and ‘I’m All Messed Up’ had the crowd swaying and dancing along. A short encore to end the evening leaving the crowd satisfied with the show and me desperate to see them again now that I’m missing their Australian tour for Groovin’ The Moo.

Rating: 5/5

Live Review: Six60 – The Metro Theatre (26.04.13)

Photo: Six60 @ Metro Theatre, Sydney  https://www.facebook.com/Six60

Photo: Six60 @ Metro Theatre, Sydney https://www.facebook.com/Six60

There’s something to be said of any band that can hop flawlessly from rock to reggae to drum and bass and back again and take a crowd of people along with them for the ride. And that is that they are undeniable rock stars. That’s just what I’d call New Zealand band Six60 who managed to effortlessly transition between genres this past Friday when they hit the stage at The Metro in Sydney to a sold out crowd.

Opening with their light hearted reggae anthem ‘Don’t Forget Your Roots’ the energetic 5 piece captivated the audience thanks to their boyish enthusiasm and playfulness on stage. Six60 made it clear that they love what they do. In return the crowd assured them that the feeling was mutual by singing (or screaming?) along to almost every note of every word of every song that they played throughout the show. It didn’t matter whether the guys were tackling honey-coated reggae or gutsy rock tinged tracks the crowd was with them every step of the way, and the atmosphere of the show felt a lot like one hell-of-a-party.

Lead singer Matiu Walters’ vocals remained flawless through out the show, despite the fact that he jumped around the stage with boundless energy for 90% of the show and the fact that he’s the only singer in the band – there’s no backing vocalists to help him out. I couldn’t help but ponder how much warmth extra vocals and harmonies would add to the bands sound, but Walters looked like he didn’t mind carrying all the vocal responsibilities at all. And I quickly forgot about my love of harmonies as Walters’ vocals gave more than most do; he was honest and subtle when required on the stripped back numbers but switched to bold and strong on command. All of this delivered with his cheeky devil-may-care attitude, which was perfectly in tune with the rest of the bands mood.

By the time the show got to its encore of ‘Someone To Be Around’, thanks to the crowds unusual chant choice of “Whoop there it is!”, Six60 had delivered a strong show that managed to have the dynamic energy of a stadium rock concert while maintaining the personable, down to earth vibe of your local pub gig. But as humble and carefree as Six60 may appear they are far more than just a pub band. Six60 make having the musical equivalent of split personality not only look easy, but very much like something that every band should take a stab at. After all why should we have to stick with one genre if we can enjoy a mash of them all in one show by one talented band? If Six60 keep dishing out their brand of rock-roots-reggae with a dash of dub then I’ll gladly keep making room on my plate for more of their treats.

Rating: 4/5

Live Review: Birds of Tokyo + Regular John + The Guppies – The Enmore Theatre (17.03.13)

Pictured: Birds Of Tokyo at Enmore Theatre, Sydney (c) Natalie Gardner for Mosca Media

Pictured: Birds Of Tokyo at Enmore Theatre, Sydney (c) Natalie Gardner for Mosca Media

Birds of Tokyo took to the stage and the Enmore Theatre quivered with applause and screams from the crowd. This show marked the end of a tour for Birds of Tokyo with their new album ‘March Fires.’ They get straight to it with a song off the album.

The crowd, whilst not the most lively, are taken on a journey from the bands most recent stuff, to their early songs, and they are receptive.

Ian Kenny, the vocalist, keeps the front of the crowd moshing by dancing along to the tunes on stage.

The backdrop lights up in flashing images, telling a story to accompany each song.

A woman next to me leans over to her friend and says ‘what do you think?’ The friend replies ‘thank you SO much for introducing me to them. They are amazing!’ She then gets back to gyrating and head-banging with the rest of the crowd.

The big winners aka the most popular songs, ‘Plans’ and ‘Lanterns’ got a round of sing-alongs from the audience, and coming from such a large audience, this was a delightful experience.

Whether you’re a newcomer to Birds of Tokyo, or a seasoned fan like myself, you will love their live show.

Their new sound, while not a huge leap away from their previous albums, is slightly more melodic and careful. That said, though, I think anyone that is a fan of their previous albums will love ‘March Fires.’

You really can’t lose with this band, because they are simply such a fun night out.

The support act for the night was Regular John. You might have heard this band doing the rounds on Triple J lately with their tracks ‘Sky Burial’ and ‘Strange Flowers.’

If you haven’t heard of them though they are a red-hot, psychedelic, punk rock four-piece band from New South Wales.

Their set-list on the night consisted mostly of songs from their most recent album ‘Strange Flowers’ and some from their previous album ‘The Peaceful Atom is a Bomb.’

Regular John have made up a huge step up from their first album to their last and have evolved into a sophisticated hard rock band.

They are still slightly experimental, particularly with their latest album, simply in that no two songs quite sound the same, but that’s something that, personally, draws me to them.

These guys are a gold-standard support act and I definitely recommend checking out one of their stand-alone live shows.

The Guppies are your standard teenage-y-punk band from Newcastle, which I guess is not that standard. They are great, all the same.

They have a fluid musical styling with a penchant for easily-accessible, very catchy tunes, like ‘Never Liked Mondays,’ and ‘Bad Blood.’

As terribly cliché as this might sound, the three-piece just simply know how to rock out on stage and gave us all a ‘rocking out’ lesson on Sunday night.

I also have to recommend catching these guys live.

Rating: 4/5

Ball Park Music + New Gods + Lime Cordiale + Professor – The Manning Bar (01.03.13)

Ball Park Music, The Manning Bar 

It was no secret that everyone packing out the Manning Bar on Friday night was there to see Ball Park Music. In fact, this was the first University of Sydney end of O’week celebration, which had completely sold out – the bar was wall-to-wall, people.

The gig was being filmed and the crowd responded appropriately by, as one might put it, completely losing it. As soon as Ball Park Music started the first song, the crowd was singing along, but not just to some of the lyrics, to almost all of them.

In fact, this gig cemented in my mind just how far Ball Park Music have come over the past few years. I remember when I first saw them live at Townsville’s 2011 Full Noise Festival. The band were playing a fairly early spot, and only had a draggle of devoted fans come out to see them.

I could tell at the time, though, that they had the formula it took to be massive indie winners. They had a solid set list full of indie-pop songs that demand you to dance and sing-along, as well as great stage presence.

If you haven’t heard of Ball Park Music, now, then you should probably remove yourself from whatever rock you seem to live under that doesn’t pick up Triple J.

As they got into the gig, it soon became obvious that the majority of the audience were definitely devoted fans, as they knew the words to just about every song they played.

The band played stuff from both their last album Happiness and Surrounding Suburbs and their most recent album Museum, which they released last year. They also covered a Frankie Valley and the Four Seasons song ‘Oh What a Night,’ which proceeded to cause the audience to erupt in dance.

Without ever straying from their indie-pop style, they seem to just keep getting better.  If you’re an indie-pop fan then you’d be crazy to miss one of these guy’s live shows.

Ball Park Music also had some killer support acts on the night, which received a lot of love from the crowd.

New Gods are a five-piece out of Melbourne. These guys are definitely the most pleasing of the support acts to an indie-pop lover’s ear and they have some definite winners in their set list.

New Gods have a somewhat basic, but thumping indie-pop rock sound propped up by great harmonies.

Lime Cordiale are another five-piece from Sydney. They have a 70’s beach-rock feel, with chilled out, but fun tunes. One of the things that sets these guys apart is their strategic use of trumpets on a lot of their tracks, which is particularly evident on the track ‘Pretty Girl.’

Some of their tracks collide a bit creating a wall of sound, but I dare anyone to not dance to them.

Professor are, yep, another five-piece with a slightly more heavy rock sound. Professor have a whimsical goth-rock feel and for some reason ‘pirate music’ comes to mind, due to their onstage presence and get up.

They have great energy, which they kicked off the show with and definitely had the audience going.

Rating: 4/5

 

 

 

Macklemore + Ryan Lewis + Diafrix – Enmore Theatre, Sydney (15.02.13)

Macklemore Enmore Theatre

Macklemore and Ryan Lewis made way at their final sold out show at the Enmore Theatre in Sydney last night. They didn’t expect this kind of success for their single ‘Same Love’ from album The Heist to reach number one spots in Australia. Originally their show was to be held at the renowned (and average-sized) Oxford Art Factory in Sydney. However it sold out instantly, so a second show was held which also sold out ‘in the blink of an eye’. An upsize of the venue was necessary, and the Metro Theatre seemed sufficient, however, due to the overwhelming response from fans, the show was taken to the Enmore Theatre in Sydney! The fans were spoilt with many treats last night.

By 8pm fans had already packed the venue front and back in time to see the aptly chosen support act for the night (and only support act) Melbourne based hip hop duo, Diafrix. Although it seems that much of commercial hip hop promotes promiscuity and homophobia, excessive use of drug and alcohol, crime, money, fame with a heavy use of derogative language (all as a norm of societies across the world), Diafrix seem to break the stereotypes and misconception with a positive approach.

Their album Pocket Full Of Dreams is what could be described as a genuine compilation of narratives from cultural and personal struggles and exchanging it for more positive outcomes and a change in common attitudes and thoughts. So I am all for positive hip hop, and it’s one thing to immerse oneself into their pre-recorded music, but witnessing a live delivery of their album took me on a whole other level. Diafrix spread good vibes throughout their set leaving all to look like perspiring sardines. The front row were pushed up against the media barricades – sweaty, thirsty, had full bladders, but weren’t prepared to give up their spot on the floor. Security yanked out a few overheated (and a little intoxicated) fans from the crowd. Diafrix definitely owned the stage. Aussies definitely need to check these guys out live if you haven’t already done so. Any one looking for a live hip hop act, these are the guys to hit up.

The 30-40 minute wait was well worth it for Macklemore fans, as he made way to the stage and crowds roared in reverence to see the man himself, Ryan Lewis and the band. Fans joined in singing familiar songs from his latest release The Heist. Each track received the “same love” as his hit singles ‘Thrift Shop’ and – ‘Same Love’. Through witnessing various hip hop gigs in town, the crowd was well behaved for such a large cohort. Brilliant production work by Ryan Lewis throughout the album and at the live show in Sydney.

Fluid rhymes by Macklemore and his fans to match especially throughout ‘Jimmy lovine’. We got treated to the soulful voice of Ray Dalton who also joined Macklemore on tour with ‘Can’t Hold Us’, which got the crowd clapping and singing along like a gospel choir. We can’t forget the awesome trumpet playing by Macklemore’s official trumpeteer Owuor Arunga. But it was not until the number one single ‘Thrift Shop’ began to play, that the audience screamed with excitement. Shortly after it eased in with the second number one hit single in Australia ‘Same Love’ (renowned song that supports same-sex marriage). At one time I was wondering who the chick was with the long blonde hair that entered the stage. Yup, it was Mr Macklemore himself. Never once did he fail to entertain and constantly delivered great music and remained animated.

It’s about time Australia got to see the men behind the Thrift Shop song Macklemore, Wanz and production work by Ryan Lewis. It goes to show that if one is an artist of some sort, keep making art. You never know how far you can go. Macklemore sure didn’t expect to top 2 singles in the last few months in Australia. Looking forward to seeing him flourish worldwide!

Rating: 4/5

Click on the image below for photographs on the night taken by Liza Moscatelli and Jackie TeAroha from Mosca Media Australia.
Screen Shot 2013-02-17 at 3.59.57 PM

Check out the links below for more info:

www.macklemore.com
www.facebook.com/ryanlewisproductions

Macklemore and Ryan Lewis in Sydney tonight!

Macklemore and Ryan Lewis

Macklemore and Ryan Lewis has recently scored number one spots across music charts worldwide including Australia with their single ‘Same Love’ featuring Mary Lambert.

Tonight we get to celebrate with them on having over 100 million YouTube views as they will perform live in Sydney.

After an overwhelming fan demand, the Sydney show was relocated from the Oxford Art Factory and Metro Theatre to the larger venue, Enmore Theatre. Last night’s show in Melbourne also sold out.

Check out the video clip (below) and stay tuned for our music review of the show this weekend!

‘THRIFT SHOP’ – Macklemore and Ryan Lewis featuring Wanz.

‘SAME LOVE’ – Macklemore and Ryan Lewis featuring Mary Lambert

Sketch The Rhyme: “No Sleep Til Adelaide” Tour

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No Sleep ’Til Adelaide Tour

Big Village is proud to present the first East Coast tour and Adelaide Fringe Festival season of Sydney-based live art hip hop gameshow Sketch The Rhyme. The strikingly entertaining show pits teams of artists and rappers against each other in a fast-paced, MC-driven battle of wits, played out with the accompaniment of a live band, and not-so-serious nods to famed drawing duels: Pictionary and the legendary Mr Squiggle.

Conceived by Big Village Records MC, label manager and creative director Rapaport, Sketch The Rhyme was developed during the 2008 Underbelly Festival, Carriageworks, through collaborations between esteemed visual artists, freestyle MCs and improvising musicians. Spurred on by the sheer fun and creativity of those initial brainstorming sessions Sketch The Rhyme has gone onto to feature at Edinburgh Fringe Festival [2011], Woodford Folk Festival [2009 & 2010], Melbourne Fringe [2009] and the Sydney Comedy Festival Great Debate.

Bringing together Big Village MCs Rapaport, P.Smurf from Daily Meds and Jeswon from Thundamentals, Sketch The Rhyme teams the label mates with artists Claire Nakazawa, Duckman, Sam Clouston, Edgarr and Mie Nakazawa, whose expertise in a range of visual disciplines from street art and graffiti, to comics, cartoons and painting creates one hell of an engaging hip hop show.

WATCH SKETCH THE RHYME COME TO LIFE
https://www.youtube.com/watch?v=Vli4cgZ4URM

CAN YOU POZIBLY HELP SKETCH THE RYHME?

Big Village and Sketch The Rhyme need your help getting this show on the road! Why not watch and share their Pozible video, support their campaign and tell your friends about Sketch The Rhyme on Facebook or Twitter? Sketch The Rhyme will thank their Pozible helpers with sweet rewards: from artwork and props to workshops or even a Sketch The Rhyme show in your own home!

CHECK OUT THE REWARDS
www.pozible.com/sketchtherhyme

“No Sleep ’Til Adelaide” Tour

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Fri 15 Feb – The Standard, Sydney, NSW
Feat. MCs Urthboy, Rapaport, P.Smurf, Ellesquire and Tenth Dan
Supports from Hi Tops Brass Band + DJ Migz
Plus artists Claire Nakazawa, Mie Nakazawa, Sam Clouston, Edgarr, Duckman and Days One
$15 + BF / $20 on the door

Sat 2 Mar – Speigeltent, Melbourne (11am show), VIC
Buy Tickets

Adelaide Fringe Festival

Thu 7 March – Gluttony: The Pig Pen – 11.50pm

Fri 8 March – Gluttony: The Pig Pen – 11.50pm

Sat 9 Mar – Gluttony: The Pig Pen – 11.50pm

Sun 10 Mar – Gluttony: The Pig Pen – 11.50pm

Mon 11 Mar – Gluttony: The Pig Pen – 11.50pm

Tue 12 Mar – Gluttony: The Piglet – 6.45pm

Wed 13 Mar – Gluttony: The Pig Pen – 11.00am

Wed 13 Mar – Gluttony: The Piglet – 6.45pm

Thu 14 Mar – Gluttony: The Pig Pen – 1.00pm

Thu 14 Mar – Gluttony: The Pig Pen – 11.50pm

Fri 15 Mar – Gluttony: The Pig Pen – 1.00pm

Fri 15 Mar – Gluttony: The Pig Pen – 11.50pm

Sat 16 Mar – Gluttony: The Pig Pen – 11.50pm

Sun 17 Mar – Gluttony: The Pig Pen – 11.50pm

www.bigvillagerecords.com.au

Hermitude’s The Villain Tour featuring Fishing – Oxford Art Factory (11.02.13)

Hermitude 3rd Sydney show 2013

‘Hermitude’s rise over the past year has been remarkable. The duo recently took out FBi SMAC Awards for Best Live Music Act and Best Song (HyperParadise Flume Remix) and were shortlisted for the Australian Music Prize.’

It’s inevitable that once you hear Hermitude‘s first Sydney show of the Villain Tour was sold out, then the second, you’d only hope they would make a another one. Especially after hearing they also sold out in Melbourne, Brisbane and Adelaide, one was considering to go the extra mile to make it. But gladly a third and final show was announced in Sydney on Sunday night at the Oxford Art Factory.

Hermitude were supported by Sydney-based band, Fishing. I’ve heard a lot about them lately and was pleased to finally see what the fuss was about. They filled the night with dope MPC generated beats and in turn – a room full of sweaty people. They were definitely the appetisers for the night making sure we warmed up for the headline act. Full of energy and charisma, Fishing was definitely a winner to the crowd. I enjoyed the playlist in between sets too. Pulled out my iPhone and Shazaamed nearly every song. Never heard of some of the artists that popped up but enjoyed the electro-hip hop infused tracks bringing heavy bass and head-banging beats. Some of the tracks included ‘Yaow!’ (Baauer), ‘Cbat’ (Hudson Mohawke), ‘F**kin’ Problems’ (A$AP Rocky feat. Drake & 2 Chainz & Kendrick Lamar), ’110%’ (Jessie Ware) and ‘Gold Lion’ (Yeah Yeah Yeahs).

Fishing finished off their set which seemed so suddenly, but politely acknowledged the band that people came to see. I made a slight transition from the front to the back of the OAF and was greeted by familiar late-comers who walked into the venue and clarified – ‘We’re here to see Hermitude’s show!’. It was apparent as the venue started to look like a can of sardines – heat and condensation kicked in and the crowd were pumped as ever.

Hermitude played everything from their earlier tracks to the new school stuff from the Hyperparadise LP. The highlight tracks were…. pretty much everything from ‘Get In My Life’, ‘Hyperparadise’ as well as the Flume remix, ‘All Of You’, ‘Flood’, ‘Golden’ and ‘Cloud City’. What went off was ‘Speak Of The Devil’ with guest Chaos Emerald. The Oxford Art Factory incorporated a brilliant light show especially during ‘Speak Of The Devil’.

If you haven’t been to a Hermitude show, you could try catch them before they work on another album. They will be playing at the Corner Hotel, Melbourne on Thursday 21st February and The Big Pineapple Music Festival in Queensland on Saturday 20th April.

For more information on Hermitude check out www.hermitude.com and www.elefanttraks.com/hermitude

Rating: 5/5

Set List
Engage
All of You
Sloucho Darzx
Can’t Stop
Galactic Cadillac
Golden
HyperParadise
HyperParadise (Flume Remix)
Ghosts/The Presets (Hermitude Remix)
The Hunt
Get In My Life
Cartridge Kings
Frayed
Let You Go
Splendid Isolation
Speak of the Devil
The Villain
Cloud City

Fishing
Hermitude

Speak of the Devil

Live Review: Te Raranga Whanui – Joan Sutherland Performing Arts Centre, Penrith (02.02.13)

Te Raranga Whanui

The ‘Kapa haka’ is a cultural dance performed by indigenous New Zealanders also known as the Maori people and is a core element to the Maori culture. The dance involves the ‘mau rakau’ (a form of martial art based on traditional Maori weapons), the ‘poi’ (tiny ball attached to rope or string) and the ‘moteatea’ (traditional Maori songs).

It has been almost a year ago since we saw the various kapa haka groups that represented their state in an intense national competition which was held in Canberra. The groups worked hard for many months and prepared their routines until the weekend of the competition. The winners saw Sydney-based performing arts / kapa haka group Te Raranga Whanui (TRW) who will be sent off to represent Sydney alongside two other groups from Victoria and Brisbane at Te Matatini 2013 between 20-24th February in Rotorua, New Zealand.

TRW have been preparing for many months and we had the opportunity to witness their dress rehearsal last night at the Joan Sutherland Performing Arts Centre in Penrith. The night was filled with such an amazing variety of Aussie-based Maori talent from young singers and musicians, to comedians and the naturally hilarious MC, Sana Ruaporo. She definitely filled up the audience with those crazy belly laughs all night. Oh God bless her! What I recall is her encouraging words to young people to ‘keep doing stuff’ as they are the future leaders of the country. I totally agree!

The first act for the night was a youth-based kapa haka group Tu Toa (a Maori based program designed to empower and enourage young people to stand tall and hold fast to their culture and heritage. Next up were broNZe, which stands for “Brothers from New Zealand Entertainers”. BroNZe is a Sydney-based group of four vocalists including Eugene Timihou, Chrissy De Theirry, Nick Panapa and Lynzie Jade Wharerau. They sang a selection of hit love songs including a cover of Latina-American artist Selena‘s hit ‘Como La Flor’.

After the deep stuff the audience were lightened up by Meta Tusini, a Sydney-based Niuean stand-up comedian, managed to give us more belly-laugh treatment as he introduced us to his aunty, niece and uncle (played by himself). What a crack up! Lynzie Jade from broNZe also performed a solo set of songs hitting the high notes with Whitney Houston, Alicia Keys and Beyonce covers. The handsome fourteen year old Terrell Pene sang a few cover songs too in his solitude with his guitar, a little timid at first and eased in as his father Reweti Pene joined him on stage for a song. Queanbeyan brothers, Ihaka (13) & Raniera Cotter (9) followed after Lynzie. They both sang very impressive solo acoustic sets of cover songs and also featured in the young Maori group Tu Toa. Very talented and adorable indeed.

After the intermission, we were treated to the dessert for the night with Te Raranga Whanui. They all performed in sync from their dance, to the females with their ‘poi’ and the men with their ‘taiaha’ (traditional Maori weapon) and harmonious ‘moteatea’. They stood together in solidarity. TRW sparkled with their amazing costumes and make-up. Despite some very minor technical hiccups and the music sheet stand in the way, it was such an entertaining night. One cannot provide an explanation of the experience. You would have to see it to feel it.

From the team at Mosca Media, we wish Te Raranga Whanui Strength and Humility as they will compete at Te Matatini in about 16 days time!

Rating: 4.5/5

For more information on Te Matatini and the program visit: http://www.tematatini.co.nz/

For more information on Te Raranga Whanui visit: http://www.facebook.com/TeRarangaWhanuiKapahaka